_edited_edited.png)
Nine Doors.
One Untamed Life.
The interviews — and the Codex — behind a life lived in full.
UNTAMED TODAY INTERVIEWS
untamed today
Untamed Today has two founders, and they are married to each other.
Jesse and Mike run the brand the way they run their life, side by side, on instinct and water and a shared refusal to perform anything they do not mean. Two Pisces. One allergy, to the fake.
The beginning was not a plan. It was a coincidence neither of them was clever enough to arrange. On September 16, 2020, Mexico’s Independence Day, they each landed in Mérida, Yucatán. Two strangers, separately, choosing the same city on the one day built around freedom. Neither knew the other existed. Sixteen months passed before they met online, in January 2022.
When they did, nothing about it was slow. The first conversation was all fire. The love arrived before the caution could. A year later they married on a beach with fifty of the people who matter most to them, and Jesse’s daughter stood behind the camera.
They work from a spacious office when the work is patient. When it is not, they work from wherever the thing catches them. What holds the life in place is not a system. It is a posture they keep returning to. Belly to belly, skin to skin, pulling each other back into the present when the noise gets loud.
This is the tension the brand was built to hold. Two people ambitious enough to build something with reach, tender enough to keep choosing each other first. Neither gives way to the other. Both stay true at once.
The Codex came out of that life rather than into it. Twenty-seven Articles for a life lived in full, and they did not write them so much as notice they had been living them all along. A doctrine would have been easier. This was truer.
So they make Untamed Today the way they have made everything that is actually theirs. Together. Without apology. Without asking. What you are reading was, for a long time, a private thing they offered only each other. The brand is what happened when they decided to open it.
Which is why every feature here is built by a person, not a process. The interview goes where other interviews lose their nerve, and what gets written down is the real thing underneath the work, heard in the room, seen up close, set on the page with care. The listening is human. The judgment of what the story actually is, that is human too. The tools carry water. They do not sit in the chair.
This is not coverage you buy your way into. It is a record made with the kind of attention your work has been waiting for someone to pay it.
